Liberal Democrat

Liberal Democrat
Father of American Liberalism

Wednesday, October 28, 2015

Paramount Pictures: Where Love Has Gone (1964) Susan Hayward & Mike Connors Star

Source:IMDB- Where Love Has Gone (1964)

Source:The Daily Review

“Contractor Luke Miller returns to the San Francisco home of his ex-wife, sculptress Valerie Hayden, after learning that their 15-year-old daughter, Dani, has been arrested for the murder of Valerie’s lover. His plane is met by lawyer Gordon Harris, who callously engineered Luke’s divorce and deprived him of the right to visit his daughter. Now, however, Harris asks Luke’s help in providing a favorable family setting for the juvenile court hearing but discourages any hopes of gaining Dani’s custody once the case is resolved. Luke’s return revives memories of his former life with Valerie and her domineering mother, Mrs. Gerald Hayden. When Luke and Valerie are married, he aspires to become an independent architect, but Mrs. Hayden forces him into a business partnership with her. Valerie, ignorant of her mother’s underhanded ways, blames Luke for being weak; his subsequent drinking problem and her adultery combine to destroy the marriage . Terrified that her mother might be awarded custody of the child, Valerie takes moral responsibility for the murder at the hearing; in addition, she blames her failure as a mother on her own sorry upbringing, a disclosure that both discredits and humiliates Mrs. Hayden. Freed at last from her mother’s domination, Valerie commits suicide, making possible a reunion between Dani and Luke.”

From TCM

"The most wonderful thing about this marriage ... I'm not a Hayden anymore ... I'm a Miller" 

Source:Lorre B- Mike Connors & Susan Hayward star
From Lorre B

Hollywood Babydoll’s Joey Heatherton and Susan Hayward. Joey is actually like 18 at this point, but seems more like 12-13 in the movie. And Susan even at 46-47 (depending on when this photo was taken) looks and acts like 20 year old in the movie, because she was always so cute and beautiful and immature.

“Despite the fact that Susan looks sensational at 47, her flashbacks as a blushing bride and new mama are a stretch. Mike Connors as the young war hero/groom, at 39, was pushing credibility, too. It’s to Susan’s no-nonsense credit that she didn’t draw outside the lines of nature with makeup and become a caricature of herself like many golden era divas.”

Source:Rick's Real Reels- left to right: Joey Heatherton & Susan Hayward

From Rick's Real Reels

I haven’t thought about this, until I just read it, but if you’re familiar with the great Lana Turner, (as an actress and goddess) and you’re familiar with Where Love Has Gone from 1964, the story about Valerie Hayden’s daughter Danielle Miller (played by Joey Heatherton) who ends up killing her mother’s boyfriend, is very similar to Lana’s daughter Cheryl Krane, who ends up killing her mother’s boyfriend Johnny Stompanato. 

The Stompanato killing, happened in real-life and both killings happened when the killer’s mother is involved in a dispute with their boyfriend. I’m not an expert on Lana Turner, most of what I’ve learned about her has been in the last two years. But she lived a crazy life as if she was always drunk or something and didn’t know what the hell she was doing. Valerie Hayden, (played by the great Susan Hayward) lives a similar life as Lana in this movie.

As far as this movie: great movie! It is very dramatic, if not traumatic when you’re talking about a family that is led by a very overprotective mother, (played by Bette Davis) who is always making moves regarding her daughter’s life and makes those moves on her behalf and rarely if ever consults her daughter about what she’s doing for her. 

And as a result her daughter even though she’s this gorgeous, baby-faced, sexy, intelligent, talented woman, ends up being somewhat immature and irresponsible. Because her mother has a lot of control over her own life. She meets World War II U.S. Army hero Luke Miller (played by Mike Connors) and falls in love with and perhaps hoping she can find some independence from her mother. They get married, but now Mrs. Hayden, (played by Bette Davis) wants to control her daughter and her new son-in law. And has him blacklisted so he has no other choice, but to work for her company.

Again, this is a very dramatic if not traumatic movie and yet its pretty funny as well. And maybe that just because of Susan Hayward, who had this Liz Taylor quality of being able to combine drama, with comedy and humor. Who plays a very adorable and immature irresponsible woman, who goes too far, because now she’s married to man who has just gotten out of the U.S. Army and fought in World War II. Whose use to giving orders, not taking them. Who doesn’t have any patience for the games and soap opera tactics of her wife and mother in law. 

This was never a relationship that was designed to work out. The Miller’s, get divorced, Luke is out of the picture and has no input with how his daughter is raised and Valerie (played by Susan Hayward) finds a new man before she dumps her husband and that is how her boyfriend gets killed. Because she has a fight with him with her daughter stepping in to end the fight and kills her mother’s boyfriend.

I think Where Love Has Gone, is also a very entertaining and funny movie, especially if you’re familiar with life of Lana Turner, especially in the 1950s and 1960s. Gorgeous, adorable, talented and yet immature and irresponsible woman. Whose always involved with the wrong man while having young daughter to take care of. In Lana’s case, Italian gangster Johnny Stompanato. 

Valerie, gets involved with a man after Luke Miller, who isn’t a good man and he ends up being killed by her daughter. Luke Miller, by most accounts is a good man, but he only gets back in his daughter’s life after she’s charged with her murder of her mother’s boyfriend. This movie looks like a great soap opera. With a lot of great drama, writing, acting and humor, which all great soap operas have and I’m a big fan of it. 

Sunday, October 25, 2015

The Real Strategy: Opinion- Christopher Kemmett- Real Retards Vote- Why you Don't Want to Stop Them: The Case For Educated Voters

Source: This piece was originally posted at The Daily Review

When I saw this post on The Real Strategy a blog I’ll admit I’m not that familiar with, it got me thinking about the title of a book from the great political humorist P.J. O’Rourke. Where he says, “don’t vote. It just encourages the bastards.” Which came out in 2009-10. What O’Rourke is implying there if not just flat-out saying is that when you vote for politicians, or their opponents, you’re endorsing them and what they do. When the fact is the problem is what American politicians do for us and in too many cases do for us. By making our lives more difficult by doing too much, or not what they’re constitutionally required to by law, which is to pass the budget that funds the government.

As a Democrat, I’m a big fan of democracy short of empowering the majority to rule over the minority. Big reason why I’m a Liberal Democrat and not a Social Democrat, which is more common in Europe. But the main problem with American politics is not our politicians and I mean our crooked and bought hyper-partisan politicians. The main problem with American politics are the voters who vote for those politicians. People say especially with the Left where I’m proud to be (Center-Left that is) that if we just have higher turnout we would get better politicians and people more representative of who they’re supposed to represent. The problem with that is again if you have more people voting, you’re going to have at least with the current state of the American voter, you’ll have more dumb people voting for people who they don’t know. Getting sucked in by an oil-slick politician or candidate. Who has no intention of doing what they campaigned on.

You can pass all the great campaign reform laws that you want, but if you still have the same dumb voters who are either too dumb to vote for the people who’ll best represent them and vote for the worst alternative possible instead, or don’t bother to research candidates and politicians they’re considering voting for and just go off of soundbites, or the person whose most up to date with pop culture references, or technology, or campaign commercials, or they think one candidate is not as bad as the other person, so for that very and only reason the lesser evil deserves their vote over the really evil person, we’re always going to have an American public complaining about how bad our political system and government is. Even though they are responsible for creating that very government and system themselves.

We don’t need more voters. We need better voters. We need people who actually take voting seriously and take it as seriously as they would when their buying a home, a car, deciding where to send their kid to college and everything else they value, their i-pad, or i-pod, what so-called reality TV show to watch, etc. And with a more educated public when it comes to voting, you’ll see better politicians and better government and with that you’ll not just to see more voters, but more educated voters. With politicians having fewer dopes they can rely on who’ll buy beach out in Cincinnati if you tell them that you have one there for sale simply because you told them that. And since they failed geography and social studies in high school, aren’t even aware that Cincinnati is nowhere near and ocean. And probably couldn’t even find it on a map if they were standing there.
RT America: American Voters Disaffected With Political Establishment



Sunday, October 18, 2015

ESPN: An Audience With Muhammad Ali- From 1974

Source: ESPN-
Source: This piece was originally posted at The Daily Review

Muhammad Ali, perhaps at his most popular and highest peak professionally in 1974. Now seemed more as a mainstream figure and perhaps less as a rebel, or some Black Power figure or something. He’s not the most recognizable and most popular athlete in the world forty-years ago and today just because African-Americans, Native-Africans and Muslims regardless of race, or ethnicity love him. He became more of a mainstream figure in the mid 1970s as more Americans especially got to know him, but he moderated as well and said less derogatory things about Caucasians and the establishment. And more people got to see how intelligent and the great comedic wit and acting ability that he had as well.

Muhammad, was certainly a member of the TV Generation and was perfect for it and came up during the perfect time for him. That is why he’s so famous, because he came up when network TV was so crucial and dominant and had the perfect personality for it. Someone who was very bright and knew exactly what he was talking about, but also someone who was very funny and entertaining and people simply loved him and still do for it. This is in late 1974 and he Muhammad fought Joe Frazier for the third and final time about a year later. And you hear Ali talking about Frazier, because that is the fight people wanted to see again. And Smokin Joe wanted another shot at Ali and regain the World Heavyweight Championship. And Ali probably wanted to beat Joe Frazier again.

Muhammad Ali as a politician? I hate to do this as a great of an athlete and in many ways as a man he was, I could see him as the Donald Trump of the 1970s or 80s had he not come down from Parkinson’s. As he said himself as a non-politician he was free to say whatever he feels and believes and even the truth. You can’t do that as a politician and expect to be reelected. You have to be more careful and target what you say and how you say it. One of the reasons why Donald Trump has never been elected to anything is because he’s unelectable. He’s done the best Mitt Romney impersonation you’ll ever see by being multiple choice on so many key issues. Muhammad was always better off being free and out of elected office and being exactly who he was. Not feeling the need to have to please people.
ESPN: An Audience With Muhammad Ali- From 1974



Sunday, October 11, 2015

HBO: The Thrilla in Manilla- The Heavyweight Fight of The Century

Source: HBO-
Source: This piece was originally posted at The Daily Review

I’m not a boxing expert and don’t pretend to be one and I haven’t followed boxing very closely for almost twenty-years now since the heavyweight division went into the toilet as if it was flushed down. But The Thrilla in Manila at least to me is at the very least the best heavyweight division fight of all-time. It represents the best and the worst of boxing. Two big strong men literally beating the hell out of each other. In a way it was like an Old West shootout where the last man standing won. But even Old West shootouts generally had winners. This fight was more like a divorce. Where there wasn’t real winner. Just a survivor who was slightly better off than the man he beat. This fight was only stopped, because Joe Frazier was literally blind at the end of it. Thats how much this fight took out of both men.

The Thrilla in Manila was the last fight in the greatest trilogy again at least in the heavyweight division. Which is the only division in boxing that I follow at all. Smokin Joe won the first fight in 1971 and Muhammad won the second fight in 73 and beat the man who beat Joe for the heavyweight championship in 1974, which of course was George Forman. So yes the third fight was again for the Heavyweight Championship of the World for the second time and Joe wanted it back. But as they said in this film The Thrilla in Manila was about the World Heavyweight Championship of each other. The right to say that they were better than the other. That they were the best heavyweight of their generation and of the 1970s. You could still argue about Larry Holmes, but they both would’ve had a good case had they won this fight.

The Thrilla in Manila looks like to me what it would have been like had Germany fought Japan at the end of World War II. Imagine had they destroyed each other during that war instead of getting their assess handed to them by America and the Western Allies and literally destroyed each other, but didn’t know how to give up. And kept going on until neither one had one fighter and one weapon left. That is what this fight was like. Two big strong men beating the hell out of each other until one literally couldn’t take it anymore and was literally knocked out, or gave up. That is why I say this fight represents boxing at its best and worst. Two guys in the primes giving everything they had against the other, but beating each other up so much that they caused real physical damage to the other.
HBO: The Thrilla in Manilla HD